Although it remains unclear as to what will happen next in the legal process, this move by the Trump administration is worrying many LGBTQ activists and human rights groups. Sarah Warbelow, the legal director for the Human Rights Campaign,explained The video, directed by Andy Madeleine and choreographed by Dana Wilson, follows Anthony and Liza as they portray two dancers in a fraught, sort-of kind-of relationship, though Liza's character isn't quite ready to put labels on it. In a scene in the middle of the video, Liza says, "I told you, I like what we have, I just don't want other people to know. Right? .... What we have is cool, right?" Though he says otherwise, Anthony's character is decidedly not cool with it. And this is what Maitreyi is doing for brown girls everywhere, and one reason why I’m so excited to have her on this cover: she’s allowing us to see ourselves in a way that hasn’t really been depicted before. The burden of representation is not an easy one; there’s a lot of unrealistic and unfair pressure to be wholly inclusive when that’s just not possible, given the wide range of South Asian identities and experiences out there (something that applies to all communities). But Maitreyi shoulders that burden with aplomb and thoughtful awareness, something that comes through clearly in our cover story, written by Aamina Khan, a Pakistani American writer. One of my favorite quotes from Maitreyi in the interview: “We can't just keep relying on Mindy Kaling to keep making all these shows. I want her to keep making more. But I need more people with her.” of amount the military spends each year to treat erectile dysfunction, including the cost of Viagra prescriptions.Twitter contentView on TwitterTwitter contentView on Twitter